The Fredösphere

See the Music Page for
more information about
my choral compositions.

Thursday, January 19, 2006

Magical Banjo

Virtuoso performers dazzle us with their high-speed playing, their pyrotechnics of technique.  This can happen with a player of almost any kind of instrument, but there is something especially hypnotic and mystifying about banjo players.  Unlike other performers who work up a mighty sweat, a banjo player seems preternaturally calm.  If you watch the picking hand, the gestures seem impossibly few, given the torrent of notes gushing forth.

A banjo player's picking gesture is tiny in comparison with , for example, a fiddler's bowing, but that doesn't explain the whole effect, not by a long shot.  Banjos (along with other fretted stringed instruments) allow for certain left-hand techniques, including hammer-ons and pull-offs, that allow the player to produce notes at approximately double the rate that the right hand picks them.  This is what produces that illusion that the music is magically -- even maybe diabolically -- busier than the effort ought to allow.

So now you know how to play a fretted instrument with dazzling virtuosity.  Well, one of the ways.  There is another:  you could sell your soul to the devil.  Which only makes sense, particularly if you are a banjo player.

Whichever method you choose, you'll want to become a banjo virtuoso as soon as possible.  It most definitely has its rewards.

1 Comments:

Blogger Memphis Mud said...

Just as I suspected.

7:54 AM  

Post a Comment

<< Home

Explore the Fredösphere

Home/Blog
Music Downloads
Psalm Chants for Worship
New World Order
Fountainhead Revisited

Subscribe to
Posts [Atom]



Umie the Umlaut says, "ask your doctor about the Fredösphere!"


Add to Technorati Favorites

Music

Sequenza 21
New Music Box
A Cappella News
Naxos Recordings
Michael Daugherty
Bolcom & Morris
Leslie Bassett
Bright Sheng
Music With a Capital M by Ian Moss
A2 Cantata Singers
A2 Choral Union
U-M School of Music
UMS
Meet the Composer
American Composers Forum
CPCC
Opus 1, a world-wide concert list
ChoralNet
Choral Public Domain Library
Theremin World
A2 Traditional Music & Dance
Saline Fiddlers
Old Tyme

Music Blogs

The Rest Is Noise by Alex Ross of the New Yorker
Greg Sandow on the future of Classical Music
PostClassic by Kyle Gann
Renewable Music
Jessica Duchen, a Critic in the UK
Ionarts, D.C. Critics
Sequenza21 Composers Forum
Aworks: new American classical music
Brian Sacawa: Sounds Like Now
Sounds & Fury
Twang Twang Twang
Steve Hicken: Listen
Musical Perceptions
Marcus Maroney
Scuffulans hirsutus
The Standing Room, a singer in SF
Iron Tongue of Midnight, another SF Singer
The Well-Tempered Blog
Texas Best Grok, home of the Carnival of Music
Hurd Audio
Felsenmusick

Art & Culture

The New Criterion and its blog Arma Virumque
About Last Night by Terry Teachout and OGIC
Two Blowhards
A Sweet, Familiar Dissonance
Arts & Letters
Arts Journal
Arion
Mark Steyn
Movielens
Plep
Byzantium's Shores

Ann Arbor & Ypsilanti

Arborweb by The Observer
mlive
The News
Woodward Woodworks
Polygon, the Dancing Bear
Ypsi Dixit
St. Luke Lutheran
The Detroit Page

Blogösphere

The Corner
James Lileks
Createive Commons
Andrew Cusack, the most Catholic Being in the Universe
Bookish Gardener
Gravity Lens

Whackösphere

Dr. Enuf
Soda Constructor
Kombucha